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                      Cover of Winter 2024


                      Winter 2024

                      Archive

                      COLUMNS

                      FEATURES

                      What Becomes of the Brokenhearted

                      GENE SEYMOUR ON JOHN A. WILLIAMS’S UNSUNG NOVEL

                      Battle Lines

                      BOOKFORUM CONTRIBUTORS RECOMMEND BOOKS ON GAZA

                      Immaculate Imperfection

                      JENNIFER KRASINSKI ON ANNE CARSON’S UNRULY ART OF RENEWAL

                      Artful Volumes

                      CRITICS ON THE BEST ART BOOKS OF 2023

                      COLUMNS

                      CHRISTINA CATHERINE MARTINEZ on Agnès Varda

                      HANNAH ZEAVIN interviews Adam Shatz

                      FICTION

                      KATIE KADUE: Lars Iyer’s My Weil

                      SARAH CHIHAYA: Anna Biller’s Bluebeard’s Castle

                      CELESTE MARCUS: Rachel Connolly’s Lazy City

                      ADAM KLEIN: Katya Apekina’s Mother Doll

                      NONFICTION

                      ERIC BANKS: Benjamin Taylor’s Chasing Bright Medusas: A Life of Willa Cather

                      BRIAN DILLON: Evelyn Hofer: Dublin

                      MITCH THERIEAU: Dan Sinykin’s Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature

                      CATHERINE LACEY: Sheila Heti’s Alphabetical Diaries

                      GRACE BYRON: Sarah Lucas: Happy Gas

                      HALEY MLOTEK: Leslie Jamison’s Splinters: Another Kind of Love Story

                      JAMIE HOOD: Blake Butler’s Molly

                      KAY GABRIEL: Robert Glück’s About Ed

                      CARL WILSON: Kyle Chayka’s Filterworld: How Algorithms Flattened Culture

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