Richard Kraft
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Looking through the notebook of an artist or writer is a revelatory experience: To enter their laboratory, where they are free of the weight of expectation, is to witness the unpredictable process in which ideas, materials, forms are first conceived and tested, discarded or developed. Notebooks are mysteriously alive—thought laid bare. Notes, sketches, and collaged scraps reveal the strange and compelling metamorphoses that result when writers and artists experiment and play, opening the field of possibilities. What notebooks have—in comparison with more finely wrought, finished works—are imperfections and flaws that make for a different kind of complexity.